School of Historical and Philosophical Studies (SHAPS)
Catherine Kovesi is Associate Professor in History. Her research focuses on discourses surrounding luxury consumption and greed in Italy and Europe in the early modern period; and the social, familial, and religious history of Venice and Florence.
Jenny Spinks is Hansen Associate Professor in History. She is a cultural historian of early modern Europe with a particular focus on Germany, France and the Low Countries in the sixteenth century. Her research interests include print culture, the history of emotions, the global supernatural, the religious dimensions of wonders and disasters, and European views of religious rites and material cultures in Asia.
Una McIlvenna is Hansen Senior Lecturer in History. She works on the literary and cultural history of early modern Europe, specialising in balladry and the singing of news, the history of capital punishment, the history of emotions, and court studies.
Charles Zika is Professorial Fellow in History, and Chief Investigator in the Australian Research Council Centre of Excellence for the History of Emotions. His research interests lie in the intersection of emotion, religion, visual culture and print in early modern Europe, and especially in its German-speaking territories.
Peter McPhee was appointed to a Personal Chair in History at the University of Melbourne in 1993 and is now an Emeritus Professor. He has published widely on the history of eighteenth-century France, most recently Robespierre: a Revolutionary Life (Yale, 2012); and Liberty or Death: the French Revolution (Yale, 2016).
Nat Cutter is a PhD candidate in History, researching the origins, experiences and influence of British expatriates in the seventeenth- and early eighteenth-century Maghreb. He is interested in cross-cultural engagement, diplomacy, social networks, news networks, material culture, evangelicalism, and piracy.
Elizabeth Tunstall is a PhD candidate in History. Her focus is on the Elizabethan period of English history (1558-1603), specifically how the Elizabethan succession issue affected English political discourse relating to royal prerogative and government. Her research interests include royal history, political history, correspondence studies, diplomatic history, and art history.
Jennifer McFarland is an MA candidate in History, researching the identity, social status and activities of pizzochere - uncloistered religious women - in sixteenth-century Venice. Her research interests include charitable networks and poor relief, especially for older women; lay religious structures; the material culture of popolani households; and relic cult in early modern Venice.
Georgia Comte is a PhD candidate in History, researching eighteenth-century French painting (1780-1815). She is particularly interested in exploring the ways in which female artists conceived of themselves and their artistic spaces, as well as the complex discourses around the transformation, use, and rejection of the neo-classical paradigm.
History of Science
Gerhard Wiesenfeldt is Lecturer in History and Philosophy of Science. His research looks at early modern experimental sciences and the role of science at early modern universities. He is particularly interest in the relation between practical mathematics (surveying, architecture, water management) and academic philosophy in the Dutch Republic.
Ellen McLinden is a PhD candidate in the History and Philosophy of Science, researching the negotiation of conflict in German academic life during the early eighteenth century. Her interests are social history and early modern scholarship, particularly academic conflict and the confluence of state-building and scientific advance in the seventeenth and eighteenth centuries.
School of Culture and Communication (SCC)
English and Theatre Studies
David McInnis is s Associate Professor of Shakespeare and Early Modern Drama at the University of Melbourne. His new book, Shakespeare and Lost Plays, was published by Cambridge University Press in March 2021, and he is currently editing Timon of Athens for the Arden Shakespeare 4th series.
Justin Clemens is Associate Professor In Literary Studies. He works on the intersections between science, politics and poetry in early modern literature, with a particular interest in the work of John Milton.
Marc Mierowsky is a McKenzie Postdoctoral Fellow in English and Theatre Studies. He is the editor along with Nicholas Seager and Andreas Mueller of the Correspondence of Daniel Defoe and co-editor of Defoe's Roxana for the Oxford World's Classics series. He publishes on Restoration and eighteenth-century literature and intellectual history, with particular interests in popular sovereignty and the history of immigration law.
Anne Dunlop holds the Herald Chair of Fine Arts. She works on art and culture in Italy and southern Europe between c. 1300 and 1550. Her interests include early secular art, artistic techniques and materials, models of artistic cross-cultural exchange, and links between Italy and Eurasia in the Mongol period.
Matthew Martin is Lecturer in Art History and Curatorship. His research interests include the material culture of European courts in the seventeenth and eighteenth centuries, the intersections between art and natural philosophy in early modern ceramic industries, artistic exchanges between Europe and Asia in the early modern period, and art collecting and patronage amongst English recusant elites in the seventeenth and eighteenth centuries.
Mark K Erdmann is Lecturer in Art History. He specializes in Japanese pre-modern architecture and the intersection of space, painting, carpentry, and power. His interest includes castles and warrior elite residences of the fifteenth to seventeenth centuries, screen paintings, and the impact of the Jesuit missions on visual culture in Japan.
Lisa Beaven is Lecturer in Art History at La Trobe University and Honorary Fellow in the School of Culture and Communication at the University of Melbourne. Her research focuses on sensory and emotional responses to art and material culture in early modern Europe, with a particular focus on seventeenth-century Rome.
Olivia Meehan is Object-Based Learning Coordinator in the Faculty of Arts. Her primary area of research is cross-cultural engagement, in particular, the circulation of European prints in early modern Japan. Teaching and research interests include: print culture in early modern Europe; Japanese prints and illustrated books; trade and exploration in Asia 1500-1800; theory and methods in art history; reading and visual literacy.
Shiqiu Liu is a PhD candidate in Art History. Her research focuses on artworks produced for the non-Chinese people during the Yuan dynasty in China (1271-1368) and the exchange and adaptation between Chinese art and art from Central and West Asia in the 14th century.
Cynthia Pereira is a PhD candidate in Art History. She is working towards a thesis on Hans Memling's "Man of Sorrows in the Arms of the Virgin" at the NGV.
Samantha Happe is a PhD candidate in Art History. She is researching the role of the gift in negotiating power and expressing dynamic foreign policies between France and Persia in the eighteenth century.
School of Languages and Linguistics (SOLL)
Russell Goulburne is the Dean of the Faculty of Arts. He has published and taught extensively on major figures in French intellectual culture of the 17th and 18th centuries, including Voltaire, Diderot and Rousseau. His research interests include the history of the book and textual editing, and reception of classical antiquity in early modern France.
French & Spanish
Veronique Duche is the A.R. Chisholm Chair of French Studies. Her research and publication record centres on French literature in the Renaissance, in particular on novels translated from Spanish. She is recognised as one of the leading experts on the history of translation in fifteenth- and sixteenth-century France. She also has a strong interest in rare books and history of the book.
Andrea Rizzi is Cassamarca Associate Professor In Italian Studies. His project as an ARC Future Fellow was on The Power of the translator: a new history of cultural change and communication. Andrea also works on scribal and print cultures of early modern Italy, the agency of vernacular translators in Renaissance Europe, intentional anonymity in early modern literature, and the violent language of humanism.